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After a global neurological epidemic, those who remain search for meaning and connection in a world without memory.
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影片根據馬塞洛·魯本斯·派瓦撰寫的同名回憶錄改編，講述了20世紀70年代初的巴西，一位母親的家庭生活因一次偶然的暴力事件而支離破碎，她被迫重新塑造自己。該片入圍2024年威尼斯電影節主競賽單元，并斬獲最佳編劇獎。
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Life was going well for Marie until her husband, in front of friends, asks for a divorce. She subsequently spends the night drowning her sorrows in a lesbian bar, where she encounters Fa, a charismatic heartbreaker who is busy running her business and caring for her elderly Iranian mother, whilst avoiding being pinned down by any woman. Well, until now…
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兩對年輕情侶來到叢林度假村享受他們的奢華假期，但這場旅行很快變成了一場可怕的噩夢。大學時期的老朋友艾杰（AJ）和 里奇（Ritchie），帶著各自的伴侶瑪雅（Maya）和賈思敏（Jasmine）一起旅行，試圖暫時擱置感情中的矛盾，踏上一場冒險之旅。他們雇了一位大膽的向導尼克（Nick），展開了一次叢林劃艇探險。 然而，旅程很快急轉直下——里奇在途中離奇失蹤。隨著他們深入叢林尋找線索，幾人意外闖入了一個土著食人族領地。原本的夢想假期瞬間化為了一場驚心動魄的生存挑戰。在這片神圣而危險的土地上，他們必須面對無情的威脅，掙扎著尋找生路。
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A group of homeless misfits must fight for survival when they discover a plot to exterminate every homeless person in the city.
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中國獎學金生魏某前往新西蘭，在一所著名大學攻讀醫學研究。她害羞、內向，臉上有遺傳性胎記，因此被她交際花表妹安吉拉和她那些光鮮亮麗的朋友們所排斥。魏女士決心改變自己的命運，她全身心投入已故父親的研究，研究一種可以治愈她畸形的革命性的皮膚移植手術。隨著她的實驗出現轉折，她變得更加危險和失控，愿意消滅任何威脅到她的秘密的人。
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Shlomi, an eighteen-year-old Israeli soldier, flees the Gaza battlefield and heads to his girlfriend in Tel Aviv only to discover that the IDF elite is convinced he was kidnapped in the fog of war. This is a tragi-comic journey, taking place over a period of 24 hours in the hot and humid streets of Tel Aviv, shifting from terror to hope, from romance to nightmare. Director's Note: The clash between love and law is also the clash between breathless running and paralysis. One pushes Shlomi to defect from war-torn Gaza to Tel Aviv, to his beloved's arms. The other threatens both his existence and the world around him.
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At Christine's funeral, her foster son suddenly shows up, a grown-up man with whom the family has been out of contact for quite some time. He brought a letter, stating that Christine wants to be buried in Wentelen, to the bewilderment of her biological children, and even more so to that of her husband. In addition to that, all the relatives are surprised that the foster son of Christine apparently maintained a correspondence with Christine. Nevertheless, Christine's last wish is respected, and they decided to bury her in Wentelen, and wish to do so traditionally, meaning: walking behind the hearse. During a walk of several days, all the relatives (foster sisters, foster father, alleged friends and real ones, the foster son, lovers) have enough time to get to know each other better. Because in the end they have no other conclusion than that nobody really knew anyone. Old intrigues are dug up, the foster sisters finally learn why the foster brother just disappeared from the family, and they can begin to develop a real image of the mother. Once Christine's final resting place is reached and she is buried, all family ties, good and bad, are shaken around.